von den ersten takten des wundervollen so well (mit ihrer freundin und kollegin jessie ware) wird das album durchzogen von einem gefühl der freude. obwohl the invisible auf diesem album neben ware auch mit anna calvi, rosie loew, connan mockasin und sam shepherd (floating points) zusammengearbeitet haben, herrscht vor allem das gefühl der gemeinsamen begeisterung und dem spaß am musikmachen.

von den ersten takten des wundervollen so well (mit ihrer freundin und kollegin jessie ware) wird das album durchzogen von einem gefühl der freude. obwohl the invisible auf diesem album neben ware auch mit anna calvi, rosie loew, connan mockasin und sam shepherd (floating points) zusammengearbeitet haben, herrscht vor allem das gefühl der gemeinsamen begeisterung und dem spaß am musikmachen.

this is a fresh new project based in bologna, italy. red rooster ep includes four different sounds with a logical framework. d arabia and dj rou (homequest) are two emerging artists that in 2015 began to share their skills in the same recording studio, the result is a groovy sound with a great energy. this is the first release for red rooster records and the future plans are to give us a lot of new emotions from a lot of new talented artists.

the vfmm is proud to present - at last - this very joyful event of the birth of the label s first 7- release: chordula and inherit the world are brothers from different mothers and respecting their musical approach either of the two are deftly deploying what was back in the 90 s critically acclaimed as the peak of the french-house movementthe avid listener will readily notice refinement and sophistication in arrangement and composition of each track. the simple, yet compelling basic structure of these cuts is the driving force which renders everyone who listens exuberant.his split 7- is the perfect musical match for the imminent summer - stomping beats, bouncy rhythms, funky chords and an overall upbeat character: let s get down and in the groove. thanks to chordula and inherit the world, the notable french-house may celebrate a short but intense revival as of now. the vfmm wolfpack recommends its new manifest#005 7- to true house devotees

180gr w<ax, ltd 300 copies , no repress,
2016 is suppose to see 2 more release from bordel ensemble, with new talent and world to discover
london based imprint bordel ensemble (limited series only) is back after one year with yet another ep by lodee gruv, alias of one of the label’s founder. the second release is stamped 003 as the bordel002 will be a compilation of music by all the artists of the label coming out later in 2016. two side / three tracks ep. on side a, lodee gruv confirms once again his style with an atmospheric raw and floor friendly 8 minutes rhythm . on side b he takes it up a notch with 95% analog generated drums and baseline groove toped by a progression of 3 notes sample melody leading to an slightly emotional pattern. the second track of side b is a lodee gruv signature, deeper and tripier somehow with samples twicked into different elements backed up by a gimmick changing low end drums. definitely a journey into lodee gruv’s mind and bordel ensemble spirit.

unshakable integrity, adamant dedication and multi-faceted creativity are all characteristics that define the personality of french electronic artist marcelus. following an already fluent relationship with music and a string of single releases on tresor records, marcelus - given name cedric bros - thought it would be the opportune moment to dive into his most intimate inspirations and produce vibrations, his debut album.
the triple 180 gram vinyl release includes a download code.

disdat is the new brainchild of new york s infamous underground party, resolute. for their first release, they showcase three different sonic interpretations of their iconic warehouse mornings that stretch out far into the afternoon. leading the release is s.a.m. (of oscillat and delpahine notoriety) with the aptly named brooklyn nights a driving track made for the dancefloor, with its acid-tinged bassline complimented by s.a.m.s trademark emotionality. french duo zendid provide the pulsating ws3, whose scattered kick drum underlines euphoric and fluttering elements. matthew burton & bangladesign, together as mikisderek, bring the release to a close with the subtle and introspective-sump1, as equally suited for the beginning of a night as the early morning after

for the second bad barbie records vinyl release of 2016 we are more than exited to bring you the magnificent work from the bla bla music owner daniel sanchez with his impromptu ep. here we have four amazing pieces where each one tells a different history. the first one pearled into droplets saw the light after a great live jam and the result is combination of several layers of base elements with subtle minimalistic articulations. these, in combination of the bass and synths lines do create a truly amazing micro house piece. the second one vague, is an atmospheric dub were a single synth chord raises in slowly, followed by a very subtle kick and bass line to set a bit of rhythm to the whole thing, creating a superb dreamy vibe while the chords do their thing with delicate reverbs and delays in the backend. a great musical piece indeed. for the third track we have yi, again another amazing micro house jewel born from a live jam, but this one is even more energetic than the first one and it also includes, besides a rocking bass line, analog synth chords that lifts up the mood during specific moments, which also do their part articulating themselves perfectly with some occasional twisted vocals that helps create an amazing party vibe from beginning to end. and if this wasn t enough we also have bedroom stories vocal tool that daniel included with his delivery, which can help spice up a dj set with ease.

april showers bring may flowers, but this april claude vonstroke brings you the rain break. inspired by two different songs from the 80s - (razes classic break for love and oran juice jones the rain), claude has replayed and re-sung all the music from scratch to make a special cover tune of both tracks changed and combined into a surefire dirtybird classic. to quote vonstroke, i kept singing the break for love bassline over and over again in my head but the vocal that always popped in over the top was from the oran juice jones. i cant explain why that happened but i just thought they went together so well that i ran with it.here comes the b is a much weirder affair. built with massive psychedelic effects, a huge kick and almost no hi-hat pattern, this is late night cavemen music at its best. this big release from cvs will have you wishing for a downpour so you can go walking in the rain.

rotate’s first release as a vinyl imprint comes as a collective sonic statement of seven chapters. with tracks from all the music crafters of the family, rotate starts the year with steady momentum, in a collection of different-yet-unified sound that combines wit, fresh attitude and unique musical signatures.

here are no edges only night. the same dream again and again just a little bit different. in the future everything will be the present. no distance and no edges only light years. large silver clouds inside the eyelids, glittering and electric because of the black space. planets like eyeshine, things hide in the dark. listen for what you can t see.

check out the songs -umthakati- & -safa saphela-...never heard library music productions from the early 80 s recorded in jo burg and showcasing dance-floor friendly music from different regions of south africa.

never heard library music productions from the early 80 s recorded in jo burg and showcasing dance-floor friendly music from different regions of south africa

raw house and ghetto beats coming straight out from the underground. for his first album on gourmand music recordings, jr from dallas offers us what he is best at: he cooked for us 8 wonderful tracks elaborated with love and his digging expertise. jrs agility and love for house music allows him to collaborate with different artists in many different genres, adding his heavy and strong sound signature and flavour to the tracks. he invited 4 of his friend to participate to his musical journey: hatelate the french house prodigy edited on and ondule recordings, ryutaro and go aka dj lulu and dj gas, the japanese rising stars of underground house edited on gourmand music recordings and frosted recordings and lastely nouskynousk and his funky goove and french house touch, part of the gourmand family for more than 3 years now and also edited on moodyhouse recordings. you will discover in this album all jrs love to share his vision and contribution to the underground house !, hope you will enjoy those track full of funky, disco and soul cutz so significative of jrs music!

australian-canadian cult label release their third and final vinyl sampler from their sun gaze / moon faze compilation series. the cult flies ever closer to the sun with sonic assistance from peter power, 84pc, a1st, thomash, dj grount, lum & von party feat. naduve. we live in a beautiful world, ladies and dudes... cherish it in all it s different forms, love it and don t be afraid. never forget we re in this together: we are all in one mind. peter power pulls up the post peyote summer sunrise anthem, a sweet sing-a-long perfect for cult heart-opening exercises and shamanic morning rituals. tel aviv s 84pc, a trio comprised of malka tuti s katzi kenneth, asaf samuel and naduve, deliver a beautiful piece of sun-kissed guitar prog downtempo. mellow, melting, mental, magic mushroom music. a1st drops on a3 with a soaring, beautiful theme of sun memory, an ecstatic journey inward to the radiant heart of the universe. cult favourite thomash reworks calando fumando palho (released on his 2015 ep) into a hauntingly beautiful lunar version, balancing organics and synthetics like a psychedelic boss. japan s dj grount steps in to the party with dolmenzoo, a clap-jacking bell jam that runs up and down the inside of your mind. label guru von party calls in naduve to charm the psychic serpent on cobra kush, a slow-burning tribal trip-out best served with a fat spliff. finally, lum joins the familia with rosa, a ritual offering to pacha mamma, a gentle tribal call to realignment with our mother, the earth.

faraway reach casts classixx’s young-but-nostalgic melodies and sublime chords in a more mature, restrained light, albeit no less lively and bright. establishing themselves as producers of note on their debut lp (pitchfork called them “great songwriters, too”), faraway reach delivers powerfully smooth and soulful jewels that are still decidedly their own - the classixx signature is one that can’t be traced. their love of plaintive voices and disco-inspired grooves is as evident as ever, but this time around everything is a bit bolder, the cast is bigger, the melodies distilled into a higher potency - it’s all just as good, but better. “on the first record, we wanted to include only people that were our friends, and have it be really personal…” david begins, a thought blake finishes: “this time we wanted to make a record with a lot of different kinds of vocals, to see if we could be the common thread.” the album traverses locales, vocalists and inspirations. it s a fitting movement for the duo, from venice beach to the mountains of south africa and everywhere in between - a faraway reach.
the double vinyl release includes a download code.

we are proud to announce a new member to the echocord family, we have signed the super talented tomas rubeck. he is known for his releases on labels like, animal farm, amadeus, fifth interval, telrae and more. based in the midlands (uk) where post industrial decay fringes with an idyllic rural backdrop, it may not be too much of a surprise as to where aspiring artist tomas rubeck takes his lead on inspiration for his music. with an ear for detailed production and a self confessed perfectionist when it comes to sound design and artistic flare, its clear as to why his records seem refreshingly different. his first ep on echocord contains 3 heavy powerfull dubby tracks, all for the dancefloor.

2016 repress - 250 copies only. after the success of his smack release on versatile, maghreban returns with 3 tracks for the label. all of them are quite different. i m not gonna describe them all here… here are some adjectives who will help you to catch the vibe : b-boy house / rough / jackin / early techno influenced / esg / deep / k7. all i can say is that ayman has a special approach to house music, probably influenced by his hip-hop roots as a producer. lots of cuts, breaks and raw sounding for maximum floor effect.

this track has been in my computer since a little while when dj sotofett joined me here in amsterdam, to play an epic back to back at the school (amazing new club here). when i am doing a track, it could go to a lot of different directions as im jamming them for hours in my pipe studio. i sometimes could get lost. so i asked sotofett to join me in the studio to help to finish it. then we ended with those 2 versions of cham, which are, as often when i work with the sextags man, the result of live takes almost unedited. we also add some percussions from shadi khries and we recorded two versions of the same track within hours. one being bass driven with a lot of psychedelic noises and the other one more space-techno. our adventures continues, here is another slice of spaced out music.hope you ll enjoy.

every few years in the genre of hip hop there comes an album that gracefully, yet unapologetically steers clear of the redundantly trodden path that so many artist become accustomed to walking. such bravery is often rewarded by the art gods, this time is no exception as uk born , new jersey emcee cymarshall law & hungarian producer mr. joeker team up for the 3rd time and bring you the masterful, hip hop in the soul 3, the first in the series featuring krs-1 , this time a colorful bunch of guests are invited. cymarshall law weaves in and out of different song topics that have rarely been touched if at all effortlessly as his lyrical prowess has yet again moved forward in innovative and original way. the mcs refusal to “ walk in a straight line” is refreshing in a way that lets you know some artists still value originality and crafting a skill of their own. mr. joeker steps forward to prove he is a true gem in the form of a super producer. the production here raises the bar boom bap reigns supreme, though mr. joeker shows great range by taking us into new musical dimensions of his own creation, the result is hip hop in it’s purest , rawest form with a new school twist, an album that by all means will wake many people up to take notice, as this duo is finally putting the soul back into hip hop.
pressing on translucent green vinyl.

heeeeeeeeello everybody! i know this is everybody are waiting for!!!! all same as usual. limited press & no repress as you know. please can you send your order as quickly as possible. i will fulfil the order by the order date so if you want to get full qty, please send order early! ell...now a non-invisible visits the snaker library,-mood hut(mh), a canadian pacific musician collective / label / vibe etc-although made from 8 different producers, in flexible combinations and otherwise solo, consistently maintaining“that- sound. mh shows us through 360°+ dimension of their unique character in this #007. the package includes 10 synthy, drummy, funny, moody, spooky ...y, y, tracks, from their un-archived stock. smoke it softly and breathe with it deeply. highlights include the smooth touch of j. jutson, the love from l. butler, spiritual, the badlands by i. wyatt, smokey perspective by t.matt, hard punch by d. reynolds, funny guy c. thiessen, nice colors of green by mustone, the untouchable e.a. wilson and the belated disco mantra from chris wang.

for its first release, the new label motion sequence presents a 4 tracker, various artists ep: ms 0.1. based on different influences, these songs, made by medicis, e-tronik, vincen and voltery, will fit perfectly to each of your moods.

still a three-tracker for this second episode - exploring three different atmospheres and moods, you should find yours. no more hand-stamps for this one, but a full printed artwork. one copy per customer

review special remarks 12inch with hand screen printed sleeve a6 zine of drawings by artist tony savas + sticker in stamped paper bag included in 50 copies.arcing seas is an anagram of cassegrain. it started out as a secret alias, releasing a couple eps on our circula sound. the secret was less well kept after the duo appeared at berghain under this name. a year later, after deciding to start a label, it finally made sense to bring the two together. the three tracks here present three new & different directions, pushing cassegrains sound forward and showcasing their versatility.

the three tracks travel in many different directions. speaking directly to all the dreamers, the result is a surprising cross-over in which synthesized european music gets injected by imaginary tropical visions. the record is opening with the inner mind percussive ambient « chekema », an animistic incantation that will please all those who see parties as modern ritual gatherings. the jazzy wave of « get enough » cracks open the b-side. it’s a foggy street jam in which the cold cr-68 rhythm balances perfectly with the warm organ chords of the crumar. closing things off is the spectral reggae song “love so high”, a desperate cry from a polar explorer stranded on an iceberg drifting towards the carribean. heartbreaking.

french composer and ondes martenot virtuoso, christine ott releases her first full-length album since 2009 and her debut record for gizeh records. only silence remains is beautifully melodic and filled with mystery, seeing multi-instrumentalist ott performing on a variety of different instruments throughout the record.

supernature ep is the opening release of our new series. this time, the concept of a place different than earthly space is guiding arche into new and different shores, seeing what lies behind the horizon. since some time, prioleau - with his unique sound and personality - became more than just a good friend of arche. with his first ep he bring us to darker and rawer fields. the original feeling of this track was first experienced by most participants on a memorable weekend in the countryside.

polands father and son records and tapes presents its probably most adventurous release, four outer space excursions by dj sajko. plock-based pawel bartnik is a musician and sound engineer, releasing solo or as a member of kirk trio, one of the most forward thinking contemporary polish bands. here he presents his highly unique blend of slow motion techno, dub, industrial music, folk, jazz and field recordings. from twisted psychedelic bangers for the late night raves through eastern-flavoured operatic vocals to clicks and scratches from the deepest bowels of the earth,cutman lands somewhere between precise, conceptual structures and free, open-minded improvisation. different, fascinating and impressive.

taking the release-portfolio into account, rampa built over the last years on keinemusik, him adding a new ep to the label s catalogue is worth every credit of trust. and this very “trust” ep is living up to that not only by its name. it certainly offers value for money, considering km-releases have mostly been two-trackers. there are four cuts on this one, each one following a different approach, making it also a hella versatile record.

the label’s first reference, hooded001, is a two tracks ep called “los dinosaurios” by personal mythologies. the two cuts have been recorded from live improvs by the artist. the a side, homonym to the title of the ep is a slow, rugged and abrasive techno jam that passes the 11 minutes mark. the second extract, “cuando los dinosaurios dominan la tierra” is an ambient odissey of fourteen minutes that features a static melody around which different melodic and rhythmic elements are developed.

after his exciting album elasticity on his own imprint elastic dreams, a sagittariun delivers the equally fascinating three track oxidize ep for german label couldnt care more. while heights is a stripped-down basic-channelish techno ride, rough, edgy and with a hint of hypnotic melodies, the title track heads in a quite different direction: still its raw expressionistic techno, but the flow is ever-changing, mesmerizingly shifting and twisting between hissing beats and enlightened synths. for the remix of oxidize golden pudel club resident and odd-house virtuoso rvds fires up the acid machine and does it detroit style, warm and cold, uplifting and melancholic.

-a new 12” from the danish label regelbau. this time the crew invites maizena to do the a-side, which is two different mixes of the track “especial”. maizena has brought the until now unknown singer francesca b to sing along. on the flip-side you’ll find

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

second ep from dutch combo dilated pupils on mode of expression. a four track journey of different styles.

limited edition of 300 copies with unique artwork made by russian street artist (grisha), which were carefully adapted to sleeve design by mikhail myasoedov. the vinyl lp contains 4 selected tracks from the full 8-track album.
after 9 years of silence, here’s the 11th album from the unclassifiable brussels-based duo. with their usual tamping drums (just mention the two parts of “the decision to exist” or “same area”, led by a ferocious 808), a regular bass guitar hammering, some bare minimum poor voices, threatened violins, skinbound flute and oboe here and there, a distorted furious piano everywhere and finally some tiny cautious optimism (the extra-human guitar in “enough slaps”), the whole is carefully assembled in order to obtain an accurate picture of life on earth. “pain” and “pleasure” are different aspects of the same mental construction.

coherence is a new vinyl only series from be as one, a channel of expression with a different approach than the main label catalogue. techno alumnus orbe launch this new limited series with a double lp of dreamy, hypnotic and carefully programmed techno.

after acclaimed debut ep by raw ambassador, milan-based un.t.o. records presents marcello napoletano’s destroyed ass ep: a limited edition, four tracker combo of different tunes.
the a side delivers a techno track and a funkier one, both of which will take you on a boat trip into an infected swamp lost somewhere in southern italy. at the same time on the b side marcello’s voodoo ritual will take possession of your body with two full-house tracks. café nanà is a crazed drive of broken percussions “and vibrant field-recordings of cups and glasses banging together in a smoke-filled, sun-drenched, cafe” while waiting for my bass is a warehouse melter reminiscent of gene hunt’s rawest works.

played by disco halal, red axes, rss disco, benjamin fröhlich, naduve
for its 4th release, malka tuti is welcoming j.a.k.a.m. to its ever-expanding family. born in tokyo japan, j.a.k.a.m. has been been one of the leading figures developing the music scene in japan from the early 90s as a dj, producer and a band member. his wide variety of musical influences ranges from house, hip hop, drum&bass, techno, reggae, jazz, rock and world music. with combining these different styles of inspirations and tradition, he creates the most unique time and space on the dance floor, a kind of fusion of early tribal house (recording live instruments in the studio), world music with a pinch of shamanic spiritual vibes. on his ep for malka tuti he delivers 2 original epic tunes, followed by a smokey dub version by versatile records boss gilb r and a total dance-floor smashing remix by aussie prodigy - dreems.

we are excited to present our next sleaze select v/a release, featuring exclusive new original tracks by 4 different artists connected with sleaze. this time we have a huge line-up of talent, starting with bas mooy, rebekah & developer, who have all released on the label recently. its also nice to have a debut track by portugese artist lewis fautzi, to complete this outstanding techno release

we are in front one of the most vital releases of chaval records discography. the new release of record label based in carabanchel quarter faces a concept that we can not see, but that gives us a lifetime. the force of ki. that energy that emerges from victor santana and hiroshi watanabe the new protagonist of this new installment.

h-productions proudly presents >green light< by cari lekebusch. this is the fourth release in the full color spectrum serie, that is aiming to result in 9 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. thus giving the dj more freedom to play around during the blending. and the sound pictures have intentionally been tuned while having the various h-productions releases in mind, that came out around 1993-1997. since the beginning of the 1990s, caris brainchild label platform h-productions has been changing and re-inventing itself numerous times. and at this moment it takes the shape of 3 different catalog numbers running at the same time. the hyb releases will be exclusive vinyl releases only, and the hpx numbers will be digital only. as a cherry ontop we have the special hybrid catalog that will only be found in our bandcamp online shop. -with warm regards from stockholm-

four tracks of diverse and different techno make up deep sound channel s first compilation. past alumnus tripeo returns with the hulking tribalism of -raz.- breaks are built and rebuilt, demolished and razed in this gritty thumping workout. najem sworb, of clone and ai fame, is up next with the warbling atmospherics of -io ice- before matt tdk delivers the frigid and frosted -4714.- the finale is a smouldering sign off. jelle groen, under his modular scapes alias, serves a brooding acid infused piece bathed in 90s idm flows. limited to 250 coloured copies in a printed sleeve.

danish djuma soundsystem teams up with italian aki bergen and they get showered in spoken poetry by none other than south african lazarusman.the reciepe is already there and looking good,but even better.it sounds good too. 2 different versions from 2 great producers. aki bergens version is very driving, electronic and suitable for the primetime and late night hours. djuma soundsystem serves the more organic and deep version for the warm up hours and small intense clubs.

jäfar make a rapid return to the label and are back to grace the a side of fragil 019, while one half of the duo (elliot sindall) also pairs up with constantin nakov as seura on the flip. black mamba recalls certain aspects of jäfar s previous work on the label: the broken drum line, the subtle vocal samples and the global hypnotic aspect of the music. yet it is also radically different from marzsia. black mamba is a subtle but direct club track, aiming to get the dancers down through its heavy groove. the kick drum and low toms are strongly suggesting leg movement, joining forces with the snares and hats which call upon some serious head nodding.on the b side, white chapel is another broken beat club piece, but this time feels crafted for the afterhours. the groove is lighter and the heady feel is strong, closing the dancer s eyes and inviting them to drift through the music. once again, fragil comes up with original, well produced and highly danceable content, highlighting unsung talents for every versatile dj out there.

let’s continue the edit series with a first ep of sacha mambo by is own. sacha is the boss of macadam mambo, that he runs alongside guillaume des bois, they’ve released together a 2xlp last year as macadam mambo dj’s. here sacha has digged into his collection to put out 4 edits in the “devil” vibe he loves: 2 floor burners, one german euro-disco, one scandic new wave style, and 2 dark weirdo killers with crazy vocals in a more italo way. guillaume will be on the next ep with 4 completely different cuts, surprise! but for the moment let the devil comes into your house!

stamp records delve into the past for their next release, giving a new lease of life to one of swayzak s least characteristic and most sought-after tracks. swayzak are true heroes of the uk underground, having clocked numerous seminal releases in the late 90 s and early 00 s straddling the grey area between house and techno. disco dub plate volume 2 - originally out in 2000 - was an obvious anomaly in the duo s discography, that has managed to forge a path of its own amongst a completely different crowd to swayzak s usual disciples. one cut from that ep, stronger love , is a carefully arranged marriage between a certain pair of quintessential aor darlings and the soul voice of the 80 s. can we be more specific? no can do...it shouldn t really work, but somehow it does! it s been caned by many a balearic dj over the years, including mark seven who included it in his mythical originals compilation, where it holds its ground amongst other balearic heavyweights. as an added bonus for this 2016 edition we re treated to two brand new mixes ! frank agrario teases in bits of the original making for his chunkier version that is aimed squarely at the dancefloor, while brun (1/2 of swayzak) delivers a bang up-to-date dub that keeps its elements to the bare minimum, building into a deep hypnotic house chugger.

the wisp kollektiv reveales a 4 track va compilation with tracks by macher, psch, sev and kaitaro! from deep club sounds to flexible grooves and atmospheric dub the network of artists create space to encounter different perspectives of contemporary electronic music upon their first vinyl release.

label head marc romboy returns with this full remix package of his iceland series. you can find four different remixes of each track by the likes of audiojack, dosem, agents of time and alex niggemann, all producers know how to create a club tune. this 12inch comes once again along with a wonderful looking white vinyl, which is of course strictly

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards the nothing special label.